The foul-mouthed, generically named Street Kings, starring Keanu Reeves and Forest Whitaker, is a campy slice of stale anti-heroism. Sometimes, lines are so awful it's impossible not to laugh.None of this is really the cast's fault. The script and direction are terrible, though it manages to crawl up out of the gutter into a credible plot. Street Kings actually has its moments. They're as rare as the number of honest cops in this corrupt police lineup.
Reeves, solid as ever and fine for this type of role, is a cop sleeping with his gun like he's on chronic night watch. He's grimy, he's on guard, and his days are a chore filled with spent beer bottles on the kitchen counter.
In case the malevolence is missed, the extremely loud Street Kings depicts a dreary Los Angeles, where the sun, like the residents, particularly policemen, is always going down, down, down. Street Kings makes its cousin, The Departed, look like a family matinee.
When Reeves' detective encounters a Korean brute during an undercover deal, the thug and the badge hurl insults at one another like a couple of backstage understudies. A reeve throws a racial tantrum and the Korean calls Reeves "a faggoty nigger." Do gangbangers really talk like this? The ultimate target of this exchange is equally sensationalistic: twin children as sex slaves.
The Reeves chap, part of a corrupt ring led by top cop Whitaker, looking like he showed up for a part in The Godfather, is caught in a bad way when his ex-partner (Terry Crews) is gunned down in the movie's most conspicuous plot turn. The only one who doesn't instantly get the extremely obvious plot point is the Reeves character.
From there, the severely deprived Street Kings carries on, piling on racial epithets, characters and subplots, including a pointless sub drama about a dead wife that screams to be cut from the script. As Reeves tries to toe the corruption line, hold Internal Affairs at bay and get a fix on a new addition to the force (Chris Evans), the action moves toward two criminals known as Fremont and Coates.
As anti-hero Reeves maintains a passive, lifeless posture somewhere between Whitaker's heavy and Internal Affairs, the screen is littered with bad writing and bad acting. Reeves, Whitaker and the cast—among them Jay Mohr and a slew of familiar faces—do their best but only steady Evans, Reeves and Naomie Harris escape the slapfest.
Lines about vaginal swabs, blowback from the Korean community and an over-the-top climax for Whitaker (also overacting in the gimmicky Vantage Point), in which he declares himself something like king of the world, make Street Kings look like an episode of Starsky and Hutch if it were swiped by a jacked up Huggy Bear. Since every character is either bad or well on his way and up to here in excess, Street Kings achieves its goal of being the anti-Untouchables; police are uniformly portrayed as pigs and, as usual, any exceptions end up six feet under.
Parts of it are bearable, there's the unintended humor, it follows its own logic and Street Kings probably looks better after a few martinis। A chase involving the Evans character and a thug is exciting—Reeves' cop puts a stop to it in the movie's best scene—and a refrigerator-driven blood spat smacks a criminal down with style when it counts. Street Kings slithers and sloshes in blood, guts—with not one but two lengthy throat-gurgling deaths—and badness. "Serious overkill," one character deadpans and he might as well be describing this bunch of malarkey.
U.S. Release Date: April 11, 2008
Distributor: Fox Searchlight
Cast: Keanu Reeves, Chris Evans, Hugh Laurie, Forest Whitaker, Naomie Harris
Running Time: 1 hour and 47 minutes
MPAA Rating: R (strong violence and pervasive language)
(Courtesy: Box Office Mojo)
On the eve of a brutal serial killer’s scheduled execution, a new murder bearing his signature takes place, raising doubts about his guilt and casting suspicion on Dr. Jack Gramm, the celebrated forensic psychiatrist whose testimony led to his conviction. When Gramm receives a cryptic phone call saying he has just 88 min
utes to live, it ignites a race against the clock to identify the copycat killer from among a throng of possible suspects--including some of those closest to him. 
If you’re wondering how low movies can possibly go, then by all means proceed to watch Meet the Spartans, the low point of the year, if not the decade. Otherwise, even the most ardent masochists have no excuse to subject themselves to this movie. There exists no hyperbole harsh enough to describe the disgust this spoof arouses--when it’s supposed to arouse laughter! The running jokes about 300 aren't even grin-worthy, not to mention completely passé since it's been almost a year, but the attempts at humor in between--targeting gays, dead celebs, bodily functions...the usual--are disturbingly unfunny. If a group of middle-school YouTubers came up with this garbage, it'd still seem immature. But these dudes, the idiots behind Scary / Epic / Date / Superhero Movie, are grown men. Frightening.
At the age of 23, the former Hayek landed the title role in Teresa (1989), a successful Mexican telenovela that made her a star in Mexico. In 1994, Hayek starred in the film El Callejon de los Milagros (Miracle Alley), which has won more awards than any other movie in the history of Mexican cinema. For her performance, Hayek was nominated for an Ariel Award.
Hayek is an executive producer of Ugly Betty, television series airing around the world since September 2006. Hayek adapted the series for American television with Ben Silverman, who acquired the rights and scripts from the Colombian telenovela Yo Soy Betty La Fea in 2001. Originally intended as a half hour sitcom for NBC in 2004, the project would later be picked up by ABC for the 2006–2007 season with Silvio Horta also producing. Hayek guest-starred on Ugly Betty as Sofia Reyes, a magazine editor. She also had a cameo playing an actress in the telenovela within the show. The show quickly became a ratings hit and won a Golden Globe Award for Best Comedy Series in 2007. Hayek's performance as Sofia has resulted in a nomination for Outstanding Guest Actress in a Comedy Series at the 59th Primetime Emmy Awards.
Hayek is a naturalized U.S. citizen. She dated actor Edward Norton between 1999 and 2003, and then Josh Lucas in 2003. She has friends in Los Angeles and Mexico and is best friends with Spanish actress Penelope Cruz. The two co-starred in the 2006 film Bandidas. Hayek studied at Ramtha's School of Enlightenment.
